‘Not-so-little women emerge from the shadows’ Steve Moffat, Limelight Magazine, 20 May 2019

https://www.limelightmagazine.com.au/reviews/beach-•-smyth-•-clara-schumann-tasmin-little-john-lenehan/ BEACH • SMYTH • CLARA SCHUMANN (TASMIN LITTLE, JOHN LENEHAN) Not-so-little women emerge from the shadows. by Steve Moffatt on May 20, 2019 There seems to be a similar boon with the recent prominence of the gender equality debate – why it is still a ‘debate’ and not a fact remains a moot point – and women composers whose works were often admired by the musical giants of their time are slowly emerging from the gloom of neglect into some well-deserved sunlight. English violinist Tasmin Little features three women composers on her latest disc for the prestige British Chandos label, accompanied by versatile UK pianist John Lenehan. Clara Schumann’s Three Romances for violin and piano are well known and have appeared on several recordings. Dedicated to Joseph Joachim, they were written in the summer of 1853 when she and Robert moved into a house in Dusseldorf, which allowed her enough space to compose without disturbing her husband. American composer and pianist Amy Marcy Cheney Beach (1867-1944) is perhaps the star of this album. Many consider her America’s best female composer and her Sonata for Violin and Piano turns up on a dozen or so recordings over the years, while that of Dame Ethel Smyth (1858-1944) – a campaigner for women’s suffrage who was championed by Clara Schumann and admired by Brahms, Grieg and Tchaikovsky among others, and who wrote literature when she became too deaf to compose – only appears on two recordings that I could find. Smyth studied in Leipzig and her String Quartet and this Sonata, dedicated to Mendelssohn’s daughter Lili Wach, were both performed at the Gewandhaus. Coincidentally both sonatas are in A Minor and both are influenced by Brahms and Robert Schumann, but retain a strong individual voice. Beach’s talent for soaring lyricism is exploited not only in the sonata but also in two exquisite miniatures which close the disc – the Romance, Op 23, and Invocation, Op 55. Little’s touch is warm and faultless throughout this lovely program and there is a strong chemistry between her and Lenehan. Both Beach and Smyth composed large-scale works – including symphonies and operas – and after hearing this disc many listeners will want to explore their lives and music further. All credit to Little and Chandos for shining more sunlight on them.

Recent news

Classical Music Magazine: These Women’s Works – Tasmin Little/Chandos

Cellist Jonathan Swensen wins 1st Prize at the 2019 Windsor Festival International String Competition.

We are delighted to announce that cellist, Jonathan Swensen won 1st Prize at the 2019 Windsor Festival International String Competition. 2nd Prize was awarded to cellist Jamal Aliyev and 3rd Prize to violinist, Mathilde Milwidsky.

London Handel Player’s final Charterhouse concert of this Spring 2019 takes place on 5 May

Tickets for the London Handel Player’s concerts at The Charterhouse on 5 May are available on https://www.eventbrite.co.uk/e/london-handel-players-at-the-charterhouse-handel-vivaldi-tickets-53256474549

Don’t miss this beautiful concert in the most glorious of settings on Sunday, 5 May. A perfect way to pass away an hour on a Sunday afternoon.

Tasmin Little’s latest disc on Chandos is nominated ‘Editor’s Choice’ by three different music magazines

Tasmin Little and John Lenehan’s latest disc on Chandos Records has been nominated Editor’s choice by three different music magazines.

Presto Editor’s Choice
February 2019

Editor’s Choice
Gramophone Magazine
March 2019

Chamber Choice
BBC Music Magazine
March 2019